Forming a circle: The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark
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Forming a circle : The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark. / Schmidt, Cecilie Ullerup; Ølholm, Marianne (Oversætter).
I: Peripeti, Bind 20, Nr. 38, 2023, s. 102-113.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Forming a circle
T2 - The practice of Forsøgsscenen (the Experimental Stage) in the self-organised political-artistic milieu of 1930s Denmark
AU - Schmidt, Cecilie Ullerup
A2 - Ølholm, Marianne
PY - 2023
Y1 - 2023
N2 - Forsøgsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com munity-organising artistic practice. By analysing Forsøgsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Forsøgsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac-tices that unfold as a response to the common art institutions in late capitalism.
AB - Forsøgsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com munity-organising artistic practice. By analysing Forsøgsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Forsøgsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac-tices that unfold as a response to the common art institutions in late capitalism.
KW - Faculty of Humanities
KW - Kunstnerkollektiver
KW - Forsøgsscenen
KW - Artists' collective
KW - 1930s
M3 - Journal article
VL - 20
SP - 102
EP - 113
JO - Peripeti
JF - Peripeti
SN - 1604-0325
IS - 38
ER -
ID: 376067708