Entre pays de merveille et utopie: Le musée Louisiana d'art moderne, un nouvau museée témoin du bien-être social du société danoise
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Entre pays de merveille et utopie : Le musée Louisiana d'art moderne, un nouvau museée témoin du bien-être social du société danoise. / Vest Hansen, Malene.
I: Etudes Germaniques, Bind 2023-2, Nr. 78, 2023, s. 243-262.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Entre pays de merveille et utopie
T2 - Le musée Louisiana d'art moderne, un nouvau museée témoin du bien-être social du société danoise
AU - Vest Hansen, Malene
PY - 2023
Y1 - 2023
N2 - “Between Wonderland or Utopia: Louisiana Museum of Modern Art as a new museumfor the Danish Welfare society” focuses on Louisiana, established in 1958, as a key model for challenging the traditional museum category in postwar Europe. During the first twenty years, Louisiana was leading in creating an experience museum with a new democratic Bildung concept for the rising Welfare society, the text argues. The argument is unfolded in an analysis of the exhibitionary complex and the new experience educative curatorial formats – from the open and inviting architectural decentered structure; myriad participatory practices; new exhibition formats and publications, a children’s museum, and commitment to public engagement through symposiums and concerts. While shifting its focus from Danish and Scandinavian art and design to international modern art, Louisiana with its founding director Knud W. Jensen was devoted to bringing art and culture to the broad audiences and presenting a cultural alternative to the rising consumerism. Louisiana strived to be a cultural asset and relevant to the contemporary society – a museum for developing, shaping and “educating” individuals in the new postwar society.
AB - “Between Wonderland or Utopia: Louisiana Museum of Modern Art as a new museumfor the Danish Welfare society” focuses on Louisiana, established in 1958, as a key model for challenging the traditional museum category in postwar Europe. During the first twenty years, Louisiana was leading in creating an experience museum with a new democratic Bildung concept for the rising Welfare society, the text argues. The argument is unfolded in an analysis of the exhibitionary complex and the new experience educative curatorial formats – from the open and inviting architectural decentered structure; myriad participatory practices; new exhibition formats and publications, a children’s museum, and commitment to public engagement through symposiums and concerts. While shifting its focus from Danish and Scandinavian art and design to international modern art, Louisiana with its founding director Knud W. Jensen was devoted to bringing art and culture to the broad audiences and presenting a cultural alternative to the rising consumerism. Louisiana strived to be a cultural asset and relevant to the contemporary society – a museum for developing, shaping and “educating” individuals in the new postwar society.
KW - Det Humanistiske Fakultet
KW - art museum
KW - curating
KW - the role of museum
KW - curating art
KW - Danish art museum
KW - Louisiana museum of modern art
UR - https://www.klincksieck.com/les-livres/revues/5-etudes-germaniques
M3 - Tidsskriftartikel
VL - 2023-2
SP - 243
EP - 262
JO - Etudes Germaniques
JF - Etudes Germaniques
SN - 0014-2115
IS - 78
ER -
ID: 307435735