Rendering Atmosphere: Exploring the creative glue in an urban design studio

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Standard

Rendering Atmosphere : Exploring the creative glue in an urban design studio. / Stenslund, Anette; Bille, Mikkel.

Architectural Anthropology: Exploring lived space. red. / Marie Stender; Claus Bech-Danielsen; Aina Landsverk Hagen. London : Routledge, 2021. s. 207-223 (Routledge Research in Architecture).

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskningfagfællebedømt

Harvard

Stenslund, A & Bille, M 2021, Rendering Atmosphere: Exploring the creative glue in an urban design studio. i M Stender, C Bech-Danielsen & A Landsverk Hagen (red), Architectural Anthropology: Exploring lived space. Routledge, London, Routledge Research in Architecture, s. 207-223. https://doi.org/10.4324/9781003094142-13-18

APA

Stenslund, A., & Bille, M. (2021). Rendering Atmosphere: Exploring the creative glue in an urban design studio. I M. Stender, C. Bech-Danielsen, & A. Landsverk Hagen (red.), Architectural Anthropology: Exploring lived space (s. 207-223). Routledge. Routledge Research in Architecture https://doi.org/10.4324/9781003094142-13-18

Vancouver

Stenslund A, Bille M. Rendering Atmosphere: Exploring the creative glue in an urban design studio. I Stender M, Bech-Danielsen C, Landsverk Hagen A, red., Architectural Anthropology: Exploring lived space. London: Routledge. 2021. s. 207-223. (Routledge Research in Architecture). https://doi.org/10.4324/9781003094142-13-18

Author

Stenslund, Anette ; Bille, Mikkel. / Rendering Atmosphere : Exploring the creative glue in an urban design studio. Architectural Anthropology: Exploring lived space. red. / Marie Stender ; Claus Bech-Danielsen ; Aina Landsverk Hagen. London : Routledge, 2021. s. 207-223 (Routledge Research in Architecture).

Bibtex

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title = "Rendering Atmosphere: Exploring the creative glue in an urban design studio",
abstract = "Discussions of the credibility of renderings are continuously brought up in public media. While this focus on effect of the rendering has been widely discussed in research, there is a dawning recognition of the necessity to understand the complex social construction of renderings as a creative process, where the credibility is more on how it feels than what one can merely see on the rendering. For instance, from an ANT-approach, it is argued that renderings create atmosphere by participating in networks of humans, non-humans and places, and so it becomes possible to recognize the rendering process as a practice of power, negotiation and translation. Research has however still to acknowledge the atmosphere that marks the actual rendering process. Based on a phenomenological perspective we highlight how the process is an actual creative process characterized by the transformation of feelings. We show how atmosphere is not only the effect of renderings on an audience but acts as the kit that ties the whole rendering practice together.",
author = "Anette Stenslund and Mikkel Bille",
year = "2021",
doi = "10.4324/9781003094142-13-18",
language = "English",
isbn = "9780367555757",
series = "Routledge Research in Architecture",
publisher = "Routledge",
pages = "207--223",
editor = "Marie Stender and Claus Bech-Danielsen and {Landsverk Hagen}, Aina",
booktitle = "Architectural Anthropology",
address = "United Kingdom",

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RIS

TY - CHAP

T1 - Rendering Atmosphere

T2 - Exploring the creative glue in an urban design studio

AU - Stenslund, Anette

AU - Bille, Mikkel

PY - 2021

Y1 - 2021

N2 - Discussions of the credibility of renderings are continuously brought up in public media. While this focus on effect of the rendering has been widely discussed in research, there is a dawning recognition of the necessity to understand the complex social construction of renderings as a creative process, where the credibility is more on how it feels than what one can merely see on the rendering. For instance, from an ANT-approach, it is argued that renderings create atmosphere by participating in networks of humans, non-humans and places, and so it becomes possible to recognize the rendering process as a practice of power, negotiation and translation. Research has however still to acknowledge the atmosphere that marks the actual rendering process. Based on a phenomenological perspective we highlight how the process is an actual creative process characterized by the transformation of feelings. We show how atmosphere is not only the effect of renderings on an audience but acts as the kit that ties the whole rendering practice together.

AB - Discussions of the credibility of renderings are continuously brought up in public media. While this focus on effect of the rendering has been widely discussed in research, there is a dawning recognition of the necessity to understand the complex social construction of renderings as a creative process, where the credibility is more on how it feels than what one can merely see on the rendering. For instance, from an ANT-approach, it is argued that renderings create atmosphere by participating in networks of humans, non-humans and places, and so it becomes possible to recognize the rendering process as a practice of power, negotiation and translation. Research has however still to acknowledge the atmosphere that marks the actual rendering process. Based on a phenomenological perspective we highlight how the process is an actual creative process characterized by the transformation of feelings. We show how atmosphere is not only the effect of renderings on an audience but acts as the kit that ties the whole rendering practice together.

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DO - 10.4324/9781003094142-13-18

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ID: 315857700