Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Standard

Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie. / Wozniak, Magdalena Maria.

I: Afriques, Bind 10, 2373, 2019.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Wozniak, MM 2019, 'Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie', Afriques, bind 10, 2373. https://doi.org/10.4000/afriques.2373Afriques

APA

Wozniak, M. M. (2019). Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie. Afriques, 10, [2373]. https://doi.org/10.4000/afriques.2373Afriques

Vancouver

Wozniak MM. Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie. Afriques. 2019;10. 2373. https://doi.org/10.4000/afriques.2373Afriques

Author

Wozniak, Magdalena Maria. / Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie. I: Afriques. 2019 ; Bind 10.

Bibtex

@article{2b351cd5b25842999c435cf1e1a0adb9,
title = "{\'E}tudes des peintures murales m{\'e}di{\'e}vales soudanaises de 1963 {\`a} nos jours – Essai d{\textquoteright}historiographie",
abstract = "The discovery of the Faras Cathedral in the early 1960s by a Polish mission, during the International Campaign of Nubia, revealed to archaeologists an unsuspected treasure: more than 150 large-scale bright murals, witnesses to half a millennium of the history and artistic production of Christian Nubia. After transfer and conservation, the paintings were shared between Khartoum and Warsaw, where they are exhibited until now. Doubtlessly, the paternity of the discovery and the presence of the frescoes in the Polish capital were preponderant factors in the specialization of Polish researchers in the archaeology of medieval Nubia. This study presents an overview of Nubian art historiography, with a focus on the different approaches adopted by researchers to apprehend these paintings.",
author = "Wozniak, {Magdalena Maria}",
year = "2019",
doi = "https://doi.org/10.4000/afriques.2373Afriques",
language = "Fransk",
volume = "10",
journal = "Afriques",
issn = "2108-6796",
publisher = "Institut des Mondes Africains (IMAF)",

}

RIS

TY - JOUR

T1 - Études des peintures murales médiévales soudanaises de 1963 à nos jours – Essai d’historiographie

AU - Wozniak, Magdalena Maria

PY - 2019

Y1 - 2019

N2 - The discovery of the Faras Cathedral in the early 1960s by a Polish mission, during the International Campaign of Nubia, revealed to archaeologists an unsuspected treasure: more than 150 large-scale bright murals, witnesses to half a millennium of the history and artistic production of Christian Nubia. After transfer and conservation, the paintings were shared between Khartoum and Warsaw, where they are exhibited until now. Doubtlessly, the paternity of the discovery and the presence of the frescoes in the Polish capital were preponderant factors in the specialization of Polish researchers in the archaeology of medieval Nubia. This study presents an overview of Nubian art historiography, with a focus on the different approaches adopted by researchers to apprehend these paintings.

AB - The discovery of the Faras Cathedral in the early 1960s by a Polish mission, during the International Campaign of Nubia, revealed to archaeologists an unsuspected treasure: more than 150 large-scale bright murals, witnesses to half a millennium of the history and artistic production of Christian Nubia. After transfer and conservation, the paintings were shared between Khartoum and Warsaw, where they are exhibited until now. Doubtlessly, the paternity of the discovery and the presence of the frescoes in the Polish capital were preponderant factors in the specialization of Polish researchers in the archaeology of medieval Nubia. This study presents an overview of Nubian art historiography, with a focus on the different approaches adopted by researchers to apprehend these paintings.

U2 - https://doi.org/10.4000/afriques.2373Afriques

DO - https://doi.org/10.4000/afriques.2373Afriques

M3 - Tidsskriftartikel

VL - 10

JO - Afriques

JF - Afriques

SN - 2108-6796

M1 - 2373

ER -

ID: 337588071