Bibliografisk note

Funding Information:
Charge) on the authors themselves, or conversely, lose so much revenue that costs could no longer be covered, threatening the journal’s existence. Would going digital result in more visibility for the journal, or would it simply drown in the ocean of easily accessible online material? In light of such concerns, we are more than thrilled by the fact that EE has found a new home at the Open Library of Humanities, a 100% non-profit publisher who has pioneered a sustainable model based on contributions by university libraries and who would never dream of capitalizing on our authors’ work. Thanks to continued funding from NOP-HS and the support from SIEF member dues, EE can maintain its high quality in the production process, which hinges on the extraordinary excellence of our production manager, Magdalena Tellenbach. That we could keep EE’s signature image with its colourful front covers and its graphic identity, so skilfully renewed for the digital format by Pernille Sys Hansen, Damp Design, added to our satisfaction. Last but not least, the careful scanning of all EE back issues with the help of the Meertens Institute in Amsterdam and the Ludwig Uhland Institute in Tübingen is priceless and has indeed helped preserve a sustainable archive of EE for the future.