TY - ABST

T1 - Ethics of the unseen

T2 - Ambiances, Alloaesthesia: Senses, Inventions, Worlds

AU - Munck Petersen, Rikke

N1 - Conference code: 4

PY - 2020/10

Y1 - 2020/10

N2 - Drone usage in site explorations implies direct sensations for the pilot/planner. Footage from drone filming, following post-production editing, also implies direct kinesthetic and synesthetic effects that occur when working ‘on’ the filmic material, leading to affection. Through one drone post-production film, this presentation discusses how the interplay of vision, rhythm, and sound work as a set of gestures forming a sensation as a self-affection modus when engaging with the moving images on the screen. The article examines an extended sensing practice and defines a (new) point of view and extended sensibility emerging from person, tool and site entanglements,—amplifying a sensibility of the unseen affection arising through motion/gestures of editing.

AB - Drone usage in site explorations implies direct sensations for the pilot/planner. Footage from drone filming, following post-production editing, also implies direct kinesthetic and synesthetic effects that occur when working ‘on’ the filmic material, leading to affection. Through one drone post-production film, this presentation discusses how the interplay of vision, rhythm, and sound work as a set of gestures forming a sensation as a self-affection modus when engaging with the moving images on the screen. The article examines an extended sensing practice and defines a (new) point of view and extended sensibility emerging from person, tool and site entanglements,—amplifying a sensibility of the unseen affection arising through motion/gestures of editing.

KW - Faculty of Science

KW - Drone film post-production editing

KW - extended sensibility

KW - affection

KW - ethics of the unseen

M3 - Conference abstract for conference

Y2 - 2 December 2020 through 4 December 2020

ER -